Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Friday, June 19, 2015

A couple mini reviews for some mini games


Don't Look Back is a cool little poem of a game, by Terry Cavanagh.  I am an unabashed Terry Cavanagh fanboy, and have been so since I first played VVVVVV.  This latest game (latest for me-- Cavanagh produced it in 2009) is a great entry into his body of work.  With just 4 colors, a great soundtrack and basic gameplay, Don't Look Back is a compact little sonnet.  It could have been more, but it didn't have to be.  About twenty minutes in total, I recommend it. 
note:  I originally played the game on my phone, but eventually switched to playing on my computer over at Kongregate.  I just couldn't handle the touch-screen controls.  I need to play my platformers on a proper d-pad.  





Pretentious Game is right up my alley.  You can tell by the title.  The game is reminiscent of Thomas was alone and Starseed Pilgrim.  A game which uses gameplay as a metaphor, and obscure phrases as instructions.  And it features squares as characters. 

I only played the first batch of levels, as I downloaded the free version for Android.  I will probably buy the full version as they don't ask much for it.  Also available to play online at armor games.
-D
P.S.  further miniature games worth noting are:  Today I die, Grow Cube, The Crimson Room and many more.  

Monday, December 15, 2014

Webcomic Post: Homestuck

I tried to post about Homestuck over a year ago, but I couldn't narrow down my thoughts.  This bulleted list helps. 


Oh, it starts innocently enough...


Things you should know about Homestuck:


  • Homestuck is not a video game, it is a webcomic, but it will be a video game soon!  
  • Homestuck is hilarious and features a great number of jokes about data structures in the first Act
  • It also makes lots of jokes about video games.
  • The story is very long and vast and absurdly complex.  More so than any rpg I've played except maybe Xenogears
  • Homestuck has really great cinema scenes
  • It also has a really good soundtrack
  • Homestuck is free to read and all the music is free to listen to.  
  • Homestuck is mega-popular with the next generation* 
  • Homestuck has a devoted and loyal fanbase and huge catalog of fan art
  • Homestuck might just be the Ulysses of the Internet
  • My favorite characters are Jade, Dave and Karkat and Terezi
  • I took my font choice from Homestuck
  • Prior to Homestuck, MS Paint Adventures produced Problem Sleuth, which is also hilarious, imaginative and epic.  But less overblown and more lighthearted. (and not nearly as long) 
  • Homestuck has recently begun updating again after a year-long pause.  It should be finished by the end of next year.  


Basically, Homestuck is everything the best jRPGs are, but it's not actually a video game.  I recommend it to everyone who likes jRPGs and has a few dozen hours to waste reading it.  Once you get in, it's really tough to put down, even though it will make you sick sometimes when it meanders around for aeons.  Have fun!


-D




*there are some who would call them... Tim?  or 'millenials,' --actually, I prefer Tim, I'm going to call that generation Tim from now on

Monday, September 29, 2014

First Impressions: Mansions of Madness (Board Game)


Conklederp and I received Mansions of Madness from Salty Liver and her newly acquired hubby for our own wedding, which will be taking place in less than two weeks.  Last night, we finally broke into this monster of a game.

One of the main reasons why I wanted to play this game in particular was because despite its size as a board game, it can be played with only two players without losing any of the attempts to create fear and dread.  The other reason I wanted to play Mansions of Madness was because it is based on various stories by H.P. Lovecraft and I have already covered my issues with playing games based on Lovecraft with groups of people unfamiliar Lovecraftian mythos.  So far, knowledge of Lovecrafts stories do not seem to be dependent on having fun with this game.

That being said, Mansions of Madness is an overwhelming game.  Just look at everything that is included with this beast as mere word could not do it justice:
Picture courtesy of: http://www.beastsofwar.com/wp-content/uploads/2011/02/Mansions-of-Madness-1.jpg
The board is made up of double sided heavy-duty cardboard with wonderfully detailed rooms with hallway sized rectangular pieces, large room square pieces (hallway x 2) and one large main hall/front yard piece (hallway x 3).  There are I don't know how many permutations that could be created with these pieces.

Anyway, we are here to briefly talk about the hour long play session that Conklederp had last night.  We did not finish either, but came very close.

I played as The Keeper (the DM in D&D terms) while Conklederp played as the one Investigator (PC in D&D).  Being out first time playing, there were quite a few moments when I had to look at the rules to know what to do with certain cards (if an artifact could be kept after being used or had to be discarded), if the Investigator could search a room when a monster was either in the same room or space or if unlocking a puzzle/lock counts as an action the same way searching a room counts as an action (it does not if the Investigator succeeds in unlocking the puzzle/lock).  

Again, "overwhelming" comes to mind.  It would be like starting a game of Dungeons & Dragons for the first time and anyone who knows what that is like can understand the feeling of performance anxiety, even if it is with someone who is patient and understanding.  Conklederp and I were patient with each other as we asked questions about what to do or clarifying information on cards.  Still, I felt we both had a lot of fun.

Playing as The Keeper, I have to have bits of information kept secret from the Investigators, know which cards I have and when I can play them (cards kept secret) all the while holding down a poker face so I do not give away the fact that I could cripple an Investigator with the drop of a card.  I didn't.  Some cards are event specific while others are dependent on the Investigator being in a specific room or a room with a specific feature (An altar, ventilation grate, hiding spot).  It is a lot of information to take in and keep track of all the while maintaining a sense of fear for the player and role playing the story and keeping the events interesting for the player.

I love it!

Like I said, Conklederp and I played for about an hour, maybe an hour and-a-half with rule clarification happening, but not including the time it took to set up the board, place the room cards in their specific locations, and gather which specific cards I needed for the story that I was telling.  Set-up took about 30 minutes.  Overall, the game is supposed to take about two to three hours from start to finish and I can confirm that with at least two people, this prediction is pretty accurate, although I can understand this being a turnoff for a good segment of the board game playing population.

An hour in, and I have control of only four monsters.  Plenty to drive Conklederp's character insane!

Before we started playing, I also quickly created a playlist of instrumental background music that I set to shuffle.  This list included music from Bram Stoker's Dracula by Wojceich Kilar, Castlevania 64 by Masahiko Kimura, Motoaki Furukawa and Mariko Egawa, Amnesia: The Dark Descent by Mikko Tarmia and Eternal Darkness: Sanity's Requiem by Steve Henifin.  At times the music seemed to mirror the actions in the game, but I never noticed that the music was out of place, but then I was also paying attention to the music when it changed while I cannot say the same for Conklederp.

There is a lot that I have yet to cover such as horror checks, trauma cards, combat, how the choices The Keeper makes during setup affects and changes the story and how events unfold during play, and how the game is won.  I will say that while it is The Keeper's objective to prevent the Investigators from achieving their objective (which is revealed to them through the course of the game/story), if an Investigator dies, that is not the end of the game, but the player can bring in a new character (one that has not yet been killed) up until the final act in the game.  I love that this is a game designed around everyone having fun but still knowing that in the end, someone will have to come out victorious.

I am looking forward to concluding this one (of many) possible storylines with Conklederp and more so to playing with our friends next weekend.  The one downside is that the game is designed for 2-5 players and apparently can be very cluttered and may not be playable if more than four Investigators are playing as the Investigators end up just stacking up in rooms without being able to either do much "investigating" or they spread out too much, uncovering information that would have been uncovered a turn or two later, progressing the story at a slower, more manageable pace.

The point is, there is a lot to this game and I cannot wait to delve deeper into its tentically depths.  Perhaps after we are finished, Conklederp will do a write up about her experience as an Investigator playing Mansions of Madness for the first time.



~JWfW/JDub/Jaconian

Friday, September 5, 2014

Game Scores: Donkey Kong Country 2: Diddy's Kong Quest (SNES)


Yay, we now have a logo for this series!  What of it, I like logos.  I also like Legos.

I used "Lockjaw's Saga" in Wednesday's MIDI Week Singles article and that song got me to thinking thing that 1) I had not posted a Game Scores article in a while (since April of this year) and 2) that I should do a Game Scores article about the music in Donkey Kong Country 2: Diddy's Kong Quest because I love the music from that game.

Let us start off with the music from the opening Rare logo and title music, both of which do great jobs with setting the tone for both the rest of the soundtrack as well as the rest of the first area.

Now that is quintessential pirate music if I have ever heard it before and because of Disney's Pirates of the Caribbean franchise, everybody has heard piratey music.  Keep in mind though that this game/music/soundtrack came out eight years after this, but the sea chanty in one form or another has been around since the mid-16th century, so let us not go into a "Who did it first" discussion.

Normally, I would have included "Lockjaw's Saga" in this list, but I have already highlighted that song two days ago.  So let us move onto another chanty-esque song with "Jib Jig."
Even though the songs are pretty different, and apologies for drawing on Klaus Bladelt's score for Pirates of the Caribbean again, but this track reminds me a bit of what the cello part plays at the beginning of "Fog Bound," except here, it is a MIDI violin/fiddle.  It is just a great piratey (there's that word again) little diddy (eh!?).  Maybe even a little reminiscent of the Chieftain's score from Treasure Island?  For me, there is also something about the wind sound effect and blowing leaves in the background.  I want it to be October and ready for Halloween.

Speaking of Halloween, "Haunted Chase" is the next song I wanted to showcase.

Yes, "Haunted Chase" uses the theme from "Night on Bald Mountain" by Modest Mussorgsky / Nikolay Rimsky-Korsakov, but the "Haunted Chase" uses the main theme sparingly but is comprised of specific elements.  Instead of being a direct rip-off, the song takes pieces from such Russian pieces as Igor Stravinsky's "The Rite of Spring" with it's pounding percussion beats.  What I take from this song is to recall musical triggers that the audience has associated with both danger and the finale from Disney's Fantasia.  Taking all of this into account, the music is played during Haunted Hall, one of the (thankfully few) mine-cart sequences in the game, which I do not find to underscore the amount of danger and stress induced by both the level design and pounding sense of terror.

Lastly, according to David Wise' last.fm page, "Stickerbrush Symphony" is a favorite of his listeners as it is a favorite of mine.
"Stickerbrush Symphony" is just one of those mellow songs that is calming and relaxing to listen to.  The level that the song comes from however, Bramble Scramble, is anything but calm and relaxing.  The song reminds me a lot of the "Aquatic Ambience" from the first Donkey Kong Country.  Coincidentally, both songs have been covered by online acapellist Smooth McGroove as well as other musicians in various styles.  So yes, this song is easily a fan favorite.

Have a happy Friday all.



~JWfW/JDub/Jaconian
Engage the Laser Beam

Wednesday, September 3, 2014

MIDI Week Singles: Lockjaw's Saga - Donkey Kong Country 2: Diddy's Kong Quest (SNES)


Today's musical selection comes to us from the SNES of 1995.  That year we saw the release of Chrono Trigger, Earthbound and Warcraft II: Tides of Darkness.  1995 also saw the second installment in the Donkey Kong Country franchise headed by Rare and Nintendo.

So now, down to the tune.

"Lockjaw's Saga*" from Donkey Kong Country 2: Diddy's Kong Quest, Super Nintendo Entertainment System (1995).
Game Developer: Rare
Music Composed by: David Wise




From the first time I heard this music in the "Lockjaw's Locker" (Level 1-4), I fell in love with the song, and for me personally, it is one of the highlights on the entire soundtrack.  The epicness of the music is on a much higher scale that what is actually going on in the level, even with the sounds of water sloshing against the side of wherever this song was recorded. (Yes, I know it's digital music created in computer and not really recorded on a pirate ship overrun by a crew of anamorphic crocodiles).  I do imagine the drums in the song being someone pounding on hollow wooden crates in the bilge of massive schooner in order to create that reverberating sound.

Another thing I love about this track, is that it is named after a minor minion named Lockjaw.  Lockjaw is an orange fish somewhat reminiscent of an Angler Fish and it is not even a single one-off fish, but a type of enemy that appears frequently in underwater stages.  Lockjaw is not even a boss nor is there a larger boss version.  But damn it, Lockjaw has its own saga* apparently and this is the music to said saga*.  Very appropriate I think.

Actually, I love this soundtrack as a whole and will probably do a much needed Game Scores article about it on either Friday or Monday.  God damn this is great music!



~JWfW/JDub/Jaconian
I'll Say These Final Words My Friend.


*Since this game, song and soundtrack came out 17 years before Candy Crush Saga was a twinkle in the pot, King can take their saga-sueing due to saga-copyright infringe-saga-ment and shove it.

Saturday, March 1, 2014

First Impressions: Starseed Pilgrim





Starseed Pilgrim just ate two hours of my day.  I knew I had been at it a while, but I was surprised to read the total.  I'd been saying 'just one more game' to myself for the last ten games or so.  The first half of the time was spent figuring out what is going on.  And then when I started to figure it out, I've tried to determine how to build skill.   I'm definitely getting better at it, but I feel like there's still more to learn.

This game taps into a sense of creativity, of mystery, of exploration and of expertise.  And Harmony, don't forget harmony.  The visual and audio design is already invading my dreams.  Starseed Pilgrim is another in a very exciting trend in gaming which uses sound effects in a musical and atmospheric way.  Every action produces a tone, and they combine in a musical soundscape of the game.  Similar uses of music include Everyday Shooter, Bit.Trip.Runner and Proteus.

Starseed Pilgrim is one of those games that I want to take care not to share too much.  Part of the fun and excitement has been just figuring out how to play.  I recommend mapping a gamepad using JoyToKey, and then having a good time.

That's all I'll say for now.  I'll write a full review after this game lets go of my brain.  It will be full of spoilers.

-D

P.S.  I suppose I should mention one more thing:  this game is TOUGH.

Saturday, February 8, 2014

TV Review: Sherlock season 3



I'd like to write about the third season of the BBC Television series, Sherlock with a minimum of spoilers.  But suffice to say that my feeling on this season is that I'm so happy that they did such a good job!

Now, I haven't watched the show much since finishing the second season a couple years ago, and I was very eager to see this new set of episodes after that long wait.  And the funny thing was that I was disappointed in the first episode.  It was a bit of a letdown.  But by the end of the third episode, I've decided it was an awesome season.  The show has stayed at top-knotch quality, and I am thrilled for that.  The third series is a sentimental series.  It is a series about men, about deep friendships.  It is about challenges, passion, forgiveness and love.  It's about redemption.  

Displaying strength, fortitude, patience and pride, John Watson is the star of the third series.  Fans of the show already love Sherlock; the program has showcased his talents extensively; the primary fun comes from his antics.  But this season highlights John Watson, both through his own performance and through the lense of Sherlock.  

Sherlock is cold, calculating and has a super-human intellect.  He is always one step ahead of his adversaries and ten steps ahead of everyone else.  His intellect comes with a maniacal drive to win the game, and to take any risk to do it.  These strengths are very alluring, both as a viewer and to the people within the show.  He represents an ideal of manhood, confident and brilliant, and always successful.  

The downside of that, of course, is that he is a huge ass, inconsiderate and cruel.  In episode 2 of season 3, he delivers a self-depricating description himself with his usual brilliance.  This moment is part of the turning point of Sherlocks character in season 3.  Turning him into, I daresay, a more warm and fuzzy detective.  While I would normally be bothered by this cuddly turn, the execution is so good that I enjoy it. I think the reason Sherlock's warming works for the show is that it is wrapped in a sense of gratitude toward John Watson.  Sherlock shows guilt for having put John through the trouble of his company, and he is grateful for John's patience, trust and forgiveness.  



http://www.zerochan.net/user/ImpactAlchemist     - lots of interesting Sherlock Fan Art out there      

As a man, John Watson is powerfully moderate and civilized.  And this show seems to suggest: quintessentially British.  There is a scene in season 3 episode 3 in which an antagonist is belittling England as a whole.  Saying that they are the most 'domesticated' people in the world, that England is a proving ground for his economic manipulations.   He suggests that if he can get away with something in England, he can take it to a 'real country.'  He says all this while pissing into the fireplace at Baker Street as his hosts look on-- to further illustrate his point.  

Without saying too much more: John is able to stand by and do nothing while this incredible insult is levied against him and his entire people.  Like in many scenes, John is not clear why this is happening, and why he needs to wait, but he does.  He trusts that Sherlock has a plan and a response, and that when it is time for action, Sherlock will let him know.  It is this trust and tenacity that allows their team to function.  And for us to enjoy all of their merry adventures. 

John Watson is capable of swallowing his pride in heaping amounts.  Next to Sherlock, he sometimes appears weak, given Sherlocks tendency to walk all over him.  However, this season brings their relationship into focus, showing that while Sherlock may walk over John, he walks over everybody all the time, and this treatment is not personal to John Watson.  What is personal is John's ability to tolerate it.  He is the smaller man, the less commanding, less ingenious.  And he is frequently placed in a position to look like the inferior man.  But he is not weak:  his ability to be tolerant and forgiving of Sherlock's incredible inability to get along with people is shown to be a great strength in Season 3.  

In addition, these qualities of Johns are not limited to Sherlock.  He is capable of selfless forgiveness toward the other people he loves as well.  His greatest moment does not involve Sherlock at all, and I will leave it to you to watch.  

Four stars.  

-D



P.S. as a fun aside, have a listen to the opening theme of Sherlock (provided above) and the Final Fantasy Airship theme, below.  


also, congrats to us on our 300th posting.  yay!




Wednesday, December 18, 2013

Link Post, December 2013

X-Manatees... why?  Why not?

Hi there, everyone, I'm looking to fill some space between postings, so here's a series of unrelated links that I've accumulated over the months and years.  Mostly game related, though some are just nerdy.  Like for example, above you see the Manatee version of Phoenix of X-men fame.  This is one in a series of X-manatees by jharris.deviantart.com - original, to say the least, and well-designed.  






Another fun thing I saw once was a blurb entitled 'if Super Mario Bros were released today' - it's a series of design jokes, with special attention to tutorials, achievements and DLC.  Pretty funny, I think, and such a early, fundamental game like Mario is a great place to make points and jokes about game design.  








Speaking of fundamental games, I learned the term 'mother dough' from an article over at the Brainy Gamer.  He's borrowing the term from the world of baking, and I think the concept translates well.  The idea being that a game like Mario is the 'mother dough' for many platformers to follow -- but if you dig deeper, then you might see it was Donkey Kong that lay the groundwork for Mario.  Anyway, go ahead and read the article for more details.  Love that Brainy Gamer.  






And, trailing off from the Brainy Gamer subject, there's a cool little article by Scott Juster at Experience Points about the overworld theme of Final Fantasy VII.  He says that he doesn't know much about music, but I enjoy his analysis.  And it was a nice way to revisit Final Fantasy VII without having to play through the game again.  I give that game a lot of shit, but that overworld theme is pretty darn good.  (BTW, Scotts youtube link is outdated, so here's a new one:  FFVII Overworld Theme)






  
Alright, well, I guess I'll cap this off by mentioning the Game Music Bundle.  It's a new bundle I found out about.  Of course, the bundle is over now, so it's ... well, it doesn't seem like it has a purpose.  But anyway.  I think it's a cool idea, and given this last one was Game Music Bundle 6, I can imagine there will be another.    


Okay, okay, alright, alright.  I am not out of links to post, but I think this is enough for now.  Enjoy!

-D

Friday, October 25, 2013

First Impressions: Anodyne





Here's a song from the game for you to listen to




an·o·dyne
ˈanəˌdīn/

adjective
1. not likely to provoke dissent or offense; inoffensive, often deliberately so.
"anodyne New Age music"

noun
2.a painkilling drug or medicine.


Anodyne is a 2-d, top-down Zelda clone.  They even include the 'stop when you strike' feature that I think is pretty neat.  It is a Zelda clone by engine, but not by theme.  Unlike Zelda, the game is immediately eerie, dark and strange, and there are reasons to distrust what you are told.  There is an ambient soundtrack through the first portion, and as the world expands, the soundtrack seems to want to expand, but can never quite become a fanfare in that bright, Zelda style.  I should mention I'm a big fan of Zelda clones.  

The gameplay is not as complex as Zelda games.  For example, it wasn't until about two hours into the game that I gained an ability beyond the basic attack.  On the other hand, the basic strike has a secondary use, which is to pick up and drop bits of dust.  These bits of dust have been used in a few different ways.  The designers have used these few abilities to craft some interesting puzzles, and the combat can be tough.  The enemy movement and projectile patterns keep me on my toes.    

The game appears to be open-world and non-linear, though there are clearly established 'zones.'  I have no idea if I'm going to the right place at the right time, and that aimlessness seems to be a part of the design. One thing I like is that there is a moment where you find a road sign, the first in the game, and it is too unclear to read. I don't know why, but I really like that the first road sign you see has no content. It stands out as something to read, but too bad, it's faded, and you can't make it out. Where to from here. The good news is:  I have yet to get stuck.  I think this speaks to a sense of care on the part of the designers.  

If you have a hankering to play a well-designed clone of early Zelda games, but with a creative and creepy vibe, then I recommend giving Anodyne a look.  I'm going to play through the rest, and try to craft a more thorough posting.  

-D


P.S.  I originally heard of Anodyne from Indie Games Magazine.  They've got this great little Android App that I use to read about games while waiting in lines.   I picked up Anodyne from a recent Humble Bundle.  If you aren't hip to the Humble Bundles, I suggest you check them out.  I've already given you a starter by embedding a link in the previous sentence.  Also, they have a very intuitive website address, and if you ask google about Humble Bundles, I'm sure it will help you.  Humble Bundles are a big part of why I started gaming again, after taking a many-year break.





  

Saturday, April 27, 2013

Emulator Hour: 8-bit rpg round-up

I've been on an 8-bit RPG kick of late.  It started with Final Fantasy, moved on to a translation of Final Fantasy II, then to Ultima: Quest of the Avatar, and most recently, a cell phone game called Gurk - the 8-bit RPG.   Along the way, I've made brief stops at Dragon Warrior II and Ultima: Exodus.  I guess I'm just feeling some powerful nostalgia, as this genre and these games ate up many days and hours of my young life.

At the present moment, I'm thinking of my unwillingness to play completely through these games.  Granted, I never beat Ultima:Exodus, nor did I beat Dragon Warrior II, Ultima: Avatar - and I never even played Final Fantasy II because it wasn't released in the US.  There exists, in the back of my mind, the desire to actually finish these games; perhaps with the aid of guides, save states or other modern supports of gaming.  But for the time being, I'm more content to wade into the Nostalgia pool and swim around.  However, to experience this nostalgia it is not strictly necessary to sit down and play these games. 

Images and Sound are able to carry me a long way down memory lane.  I recently remembered a fantastic website called digitpress, wherein you can find scans of dozens of NES game instruction booklets.  This is really worth a look, I was strongly struck, when reviewing the manuals for Ultima and Zelda.  There are funny elements, like the consistency of formatting between games - the one page plot summaries on the first page are good for a smile.  The cover art - so influential to me when drawing my own characters, armor designs and such. 

We've written a bit about 8-bit music on this site, and it is another great source of Nostalgia.  If you spent time playing Ultima: Exodus, the song below should be triggering for you.  





A funny thing about my memories of Ultima: Exodus vs Quest of the Avatar:  I remember preferring Exodus greatly, though when I go back to revisit these games I see that the graphical improvement between the two was massive.  Exodus looks almost ridiculous in how blocky the images are and how stiff the movement is.  Still, I remember when Avatar came out, being so excited to play a new Ultima game.  And then I was ultimately disappointed, because I felt like it looked too much like 'all those other games.'  And I think that still holds- one example of which was the choice to outline the characters in black.  This was not the style of Exodus, but became the style in Avatar, and is such a common stylistic choice that it is easily overlooked.

I guess part of my goal in playing around with these 8-bit RPGs is to study different design choices, in things like character equipment, map design and battle design.  It is my ambition to make an 8-bit style RPG of my own some day.  And actually, I've carried this ambition with me for over 20 years.  This is something I visit and revisit- I'm in no hurry, if I'm not enjoying myself, then its not worth it.  I've looked into some RPG makers, and right now I'm playing with RPG Maker VX Ace Lite - which is the free version of the $70 retail RPG maker series.  There is so much that goes into the design of a game, I have to work hard to budget my time before I'm willing to drop the cash for an RPG maker that may collect more dust than design. So far, the map builder is a blast :)

Alright, I'm heading out now.  I want to make a quick note of Gurk - the 8-bit RPG.  This is a free cell-phone RPG available for Android.  It plays like an even more low-fi version of Ultima:Exodus, if you can believe that.  No music as far as I can tell, but its got equipment, item shops, combat and dungeons.  After getting used to the interface, I think I can get into this game;  Gurk will do the job of nourishing my 8-bit RPG nostalgia while I'm away from home, without requiring me to carry my Nintendo DS along with me. 

-D

P.S.  Yesterday was the one-year anniversary of the first post on this blog.  Happy Birthday to us.

Wednesday, March 27, 2013

A Boy and His Blob: OverClocked Remix





OverClocked Remix
I don't really have a full post, but I have been sitting on this link for a while. It's a page dedicated to compiling remixes of video game music. The archive is massive and growing all the time.  I particularly like that you can sort by system and by game.

The above video is a remix of the main theme of A Boy and His Blob.  I chose it because it's a great remix, and A Boy and his Blob is sort of our 'patron nes game' here at Two Boys and Their Blog. (get it?) 

Give it a listen, tell me what you think.  

Sunday, March 17, 2013

Emulator Hour: Faxanadu (NES)



Why do I love Faxanadu so much?  It's one of my favorite games for the NES that I never owned.  I've spent some time thinking about this game, and I think that the graphics are one of my favorite parts of Faxanadu.  They may not seem like much at first glance, but I think they contribute strongly to my reason for carrying a torch for this game.  In addition, the soundtrack is one of the most interesting from the NES era.  

Below I show a progression of some of the different pallets and musical themes from Faxanadu.  The game's action starts at the base of the World Tree, travels up the tree a bit, goes inside the tree, comes back out, then ends up in the branches.  I love the idea of fighting through a giant tree.  This is a game that warrants a good remake.  Emphasis on good.


Muddy brown brick and a sky with a greenish hue characterize the town Eolis, cut off from their source of water and life.  
Eolis theme.  


The contrast is kicked up at the trunk; bright orange and green dominate, with a deep blue sky. The music picks up a bit.  


Purple foggy good times.  This was the furthest I ever made it on a rental. Delightfully spooky musical accompaniment.  
Mist Theme


Here we are in a branch of the great world tree. The music gets a bit more serious in tone. 
World of Branch Theme


Somehow there's a stone dungeon in the branches of this tree.  Another new pallet.  The music is a variation on the previous dungeon theme.  
Labrynth Theme

Saturday, February 16, 2013

Year in Review: Game Soundtracks

When thinking over the last year, since we started this blog, there's a few video game soundtracks this year that have gotten, and sometimes held, my attention.  Some are new, some are old, here are the video game soundtracks I've been listening to:














PPPPPP  (VVVVVV)
Souleye

VVVVVV soundtrack is fantastic.  The music really plays well into this game, helping to enhance the sensation of different atmospheric regions in a game that is very minimal, graphically. Case in point being the first time you leave the ship and go into the more open regions. The song for that region is sort of big and adventure-y. I got a feeling of invitation to explore, like in a zelda or metroid game.

I enjoyed PPPPPP so much that it spent a couple months of regular play on my  mp3 player.  Thank you to the Humble Bundles for including soundtracks as a regular feature of purchase.  What a great business model!

I've checked out some of SoulEye's other work, and unfortunately I haven't enjoyed it as much as PPPPPP.  This may be due to the sounds not having that 'lo-fi' edge, or it may be that the songs don't have an association with a game-environment, which has made the songs of PPPPPP more personal.





Bastion Original Sountrack
Darren Korb


the Bastion soundtrack is a really cool atmospheric blend of acoustic guitar and electronic music. I recommend this one, and I've listened to it a number of times.  The atmospheric blend of acoustic and electronic music works really well when I've got my mp3 player on random.  I feel like the moody grooves of the Bastion soundtrack will have a wide-reaching and long-lasting appeal.

I didn't play much of Bastion because it doesn't run that well on my computer - lots of slowdown.
















Proteus Worms Present:  Nodeland Dreams and Memories (Proteus)
David Kanaga

Proteus soundtrack is very involved with the gameplay.  I don't think of it as something I'd want to put on my mp3 player to listen to at work - except, that might actually work.  Ideally, I would want recordings of someone actually playing the game, rather than some sort of generic soundtrack-thing or remix, a-la bit.trip.runner.  I believe Jaconion will be bringing more on that game's soundtrack to you.

This album is just one, ten-minute track, and was free to download with the game purchase at humblebundle.com - I've only just downloaded it, so I can't review it as a stand-alone item until I've given it a few listens.  I enjoy gushing about all things Proteus, so I'll be sure to give due attention to this soundtrack.

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A couple classic soundtracks that have been bouncing around in my mp3 player:
















Mega Man I
Manami Matsumae & Yoshihiro Sakaguchi
Mega Man II
Takashi Tateishi, Manami Matsuma & Yoshihiro Sakaguchi
Mega Man III
Yasuaki Fujita

These sountracks are, like the games themselves, classic action game soundtracks.  Mega Man II gets lots of love, and it is well deserved.  Megaman III is nearly as good, but seems to have learned everything it knows from II.  I also has some catchy tunes, particularly Iceman, imo, and is interesting because the mold had not been settled yet on what Mega Man was to be.  (It even had a score)

Many thanks to my esteemed colleague, Jaconian, for turning me on to these and many other 8-bit soundtracks.  Without his hard work and research and others like him, I would have no idea how available video game music can be.  
















Secret of Mana
Hiroki Kikuta

I really love the secret of Mana sountrack.  This one returns to rotation again and again.  I can just look at the cover art and listen to the soundtrack and I am brought to a happy place.  What I wouldn't give for an online remake of this game.

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Honorable Mention:  I downloaded the Super Brothers - Sword and Sworcery EP - soundtrack, by Jim Guthrie,  but I haven't actually listened to it.  Just one of those things I haven't gotten around to doing.  This doesn't bode well for the soundtrack - which initially made a good impression on me.  If I do end up listening to, and enjoying these songs, I'll be sure to post about it here.